Puts into practice a radical Godardian proposition: the screening of his Made in USA (1966) and 2 ou 3 choses que je sais d’elle (Two or Three Things I Know About Her, 1966) as a single work, with their reels and narratives intertwined. In 1967, having set aside the idea of adapting The Wild Palms, Godard proposed instead projecting his two very different most recent features, which he had shot back-to-back for separate producers, as an integrated work. As Richard Roud reported, what Godard wanted was to have them shown together, ‘first a reel of Made in USA, then a reel of Two or Three Things I Know About Her, then a reel of Made in USA, etc., just as Faulkner mixed two stories in The Wild Palms. That would be his adaptation of the novel.’
There are no videos to display for The Wild Palms .
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, pai...
After writing for Cahiers du cinéma, young Godard decides making films is the best film c...
In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster the...
The story about three radical environmentalists coming together to execute the most intens...
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendshi...
When lifelong best friends Leo and Ulrich return home after completing their military trai...
During the Blitz of World War II, a female screenwriter works on a film celebrating Englan...
The true story of the 1973 tennis match between world number one Billie Jean King and ex-c...
The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in ...