Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
Welcome to the Generation Gap: an area with an often stormy climate and some interesting i...
If a family goes through big changes while the children are growing up, it can take years ...
Daniel and Jorge are a couple who lead a calm life inside their small apartment. However, ...
There are no videos to display for The Horse, the Violin and a Little Bit Nervous .
After a hurricane levels his city, a young man wanders into a mysterious library where boo...
Mickey has been reading Alice in Wonderland, and falls asleep. He finds himself on the oth...
Animals band together to save the day when the evil Otto Von Walrus hatches a sinister sch...
Po and the Furious Five uncover the legend of three of kung fu's greatest heroes: Master T...
The Monstruitas of Monster High are obsessed with going to Scaris, The City of Frights for...
Wenches Scarlett and Giselle fix each other up for their wedding, in which they would each...
Draculaura’s Sweet 1600th birthday is an extra special occasion to party at Monster High...