African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Guynel and Diovany are two young queer men with radically different personalities but from...
FOLLOW THE DRINKING GOURD is a feature documentary about the Black food justice movement. ...
Tarik Shah, supremely talented Muslim American jazz bassist, endured 15 years of unjust im...
Evanston, a suburb just north of Chicago, touts its progressivism and inclusion. It was th...
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, ce...
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the mode...
Where does voguing come from, and what, exactly, is throwing shade? This landmark document...
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck cre...
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of t...
Those who knew iconic funnyman John Candy best share his story, in their own words, throug...
A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestsell...