James Benning
Directing
1942-12-28 (84 years old)
Milwaukee, Wisconsin, USA
Over the past thirty-five years James Benning (b. 1942) has played a central role in the history of American independent cinema by offering his rigorously structured yet wonderfully graceful films as extended meditations on the American landscape and its social and environmental histories. Benning’s life and work have been shaped by his passionate wanderlust—born in Milwaukee, he lived for intervals in Colorado, the Missouri Ozarks, Illinois and Oklahoma before settling in Val Verde, California in 1987, with car and motorcycle journeys around the country generating such films as I-94 (1975) and Four Corners (1997). His career has been equally restless, ranging from his early experimentation with an avant-garde aesthetic to his embrace, during the 1980s and 90s, of explicitly autobiographical elements and increased human content. With his “California Trilogy” (2000-2001) Benning entered a new phase, refining his formalist style and political concerns while distilling his abiding interest in place and exacting organizational structures.
Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a diz...
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin,...
A conceptual bicentennial film dealing with spatial and temporal relationships between two...
Benning continues his examination of Americana in this film through the stories of two mur...
Experimental filmmaker James Benning returns with this abstract documentary about Californ...
Scrolling excerpts from the diary of George Wallace's would-be assassin Arthur Bremer at s...