Jean Rouch
Directing
1917-05-31
2004-02-18 (87 years old)
Paris, France
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and i...
The film narrates a utopian abandonment, consensual and festive of the market economy and ...
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film criti...
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry an...
Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's br...
An African travels to Paris to learn about the construction of tall buildings, but is soon...
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (...
The story follows three poultry sellers on a trip across the bush, attempting to deliver a...
Jean Rouch gives a group of black and white teenagers a "what if" question: what if they s...